Biography
Praised by Opera for her “dramatic wit and vocal control”, British soprano Mary Bevan is internationally renowned in baroque, classical and contemporary repertoire, and appears regularly with leading conductors, orchestras and ensembles around the world. She is a winner of the Royal Philharmonic Society’s Young Artist award and UK Critics’ Circle Award for Exceptional Young Talent in music and was awarded a MBE in the Queen’s birthday honours list in 2019.In the 2020/21 season, she will return to Royal Danish Opera for her role debut as Marzelline Fidelio and for the production LIGHT Bach Dances with director John Fuljames and conductor Lars Ulrik Mortensen. She will also make her house debut at the Bolshoi Theatre in David Alden’s production of Ariodante as Dalinda. On the concert stage, she will sing the world premiere of Sir James MacMillan's Christmas Oratorio at the Amsterdam Concertgebouw and A.Bliss Rout with the London Philharmonic Orchestra.
Highlights of last season included Rose Maurrant in Weill’s Street Scene for Opera de Monte Carlo and Eurydice in Offenbach’s Orpheus in the Underworld for English National Opera. Bevan recently garnered praise for her Royal Danish Opera debut as Bellezza in Il Trionfo del tempo e del desinganno, for the title role in Turnage’s new opera Coraline for the Royal Opera at the Barbican, as well as for her return to the English National Opera as Zerlina in Don Giovanni, and her debut as Merab in Saul for the Adelaide Festival. For the Royal Opera House she created the role of Lila in David Bruce’s The Firework-Maker’s Daughter, sang Barbarina Le nozze di Figaro on the main stage, and the title role in Rossi’s Orpheus at the Sam Wanamaker Playhouse.
On the concert platform, recent highlights include appearences with the BBC Symphony, BBC Concert Orchestra at the Proms, and with Mirga Gražinytė-Tyla and the CBSO in the world premiere of Roxanna Panufnik’s Faithful Journey. She joined the Orchestra of the Age of Enlightenment as Mary in Sally Beamish The Judas Passion; performed Bach Christmas Oratorio on tour in Australia with the Choir of London and Australian Chamber Orchestra; and Handel Messiah with the Academy of Ancient Music. She also headlined a tour of Asia with The English Concert and Harry Bicket and made her Carnegie Hall debut with the ensemble as Dalinda in Handel Ariodante. In 2020 she will make her debut with the London Philharmonic Orchestra.
Bevan’s discography includes her art song album Voyages with pianist Joseph Middleton and Handel's Queens with London Early Opera, both released by Signum Records, Mendelssohn songs for Champs Hill Records, Handel: The Triumph of Time and Truth and Handel: Ode for St Cecilia’s Day with Ludus Baroque, and Vaughan Williams Symphony No.3 and Schubert Rosamunde with the BBC Philharmonic. In autumn 2019 Signum will release her second disc with Joseph Middleton including Lieder by Schubert, Haydn and Wolf.
All in group
- Liubov Aksenova (Medvedeva)
- Ainhoa Arteta
- Anastasia Barun
- Maria Bayankina
- Mary Bevan
- Anke Briegel
- Malin Byström
- Oksana Dyka
- Veronika Dzhioeva
- Erika Grimaldi
- Aida Garifullina
- Hibla Gerzmava
- Venera Gimadieva
- Asmik Grigorian
- Elena Guseva
- Lianna Haroutounian
- Salome Jicia
- Anastasia Kalagina
- Irina Kostina
- Olga Kulchinskaya
- Irina Lungu
- Zuzana Marková
- Olga Maslova
- Elena Mikhailenko
- Vida Miknevičiūtė
- Nina Minasyan
- Damiana Mizzi
- Kristina Mkhitaryan
- Svetlana Moskalenko
- Maria Mudryak
- Evgenia Muravieva
- Anna Netrebko
- Johanni van Oostrum
- Nadezhda Pavlova
- Olga Peretyatko
- Ann Petersen
- Olga Pudova
- Elena Razgulyaeva
- Hulkar Sabirova
- Olga Semenishcheva
- Tatiana Serjan
- Albina Shagimuratova
- Oxana Shilova
- Mariangela Sicilia
- Elisabet Strid
- Tuuli Takala
- Zoya Tsererina
- Sarah Tynan
- Antonina Vesenina
- Pretty Yende
- Darya Zykova